Russia (bbabo.net), - The.jpgt of exceptional skill, multiplied by a bright spiritual beauty, made even a capricious American audience compare the People's Artist of Russia Marina Neyelova in the play Sovremennik with the world theatrical standard - Sarah Bernhardt.

And the head of the Belarusian state, in his welcoming address, which he sent on January 8 on the occasion of the anniversary of the actress, noted that her unique style, inner strength and charm conquered the hearts of numerous Belarusian theater-goers. “You have played bright, multifaceted roles in plays and films beloved by many generations, and have successfully realized yourself in the professional field,” says Alexander Lukashenko's congratulatory message, quoted by his press service.

“May your fruitful work continue to give the audience joy, inspiration and good mood,” the Belarusian leader wished the bright star of Russian theater and cinema. By the way, observers note that the prima donna herself considers Blue-eyed almost dear since the filming of Dmitry Astrakhan in the film "Lady for a Day" at Belarusfilm. She can talk a lot about the fraternal country and with sincere pleasure, according to news portals.

It should be admitted that the emergence of talent for most masters of art occurs each time along an uncharted trajectory. So the parents of the future theatrical revelation, born on the banks of the Neva, had no direct relation to the servants of Melpomene, although they tried to instill in their daughter a love of art.

But the hero of the day from an early age dreamed of becoming an actress and in one of her interviews admitted that “in class I dreamed of a stage, a ramp, a curtain, flew away somewhere far away, and when called to the blackboard, for a long time I could not understand what we are talking about. " Therefore, it is not surprising that on the first attempt, having overcome the competition of one hundred people for a place, she entered the course of Irina Meyerhold, daughter of the famous director and theatrical reformer Vsevolod Meyerhold, and her husband, famous actor Vasily Merkuryev. By the way, her biographers remind that the actress adored and treated like a very close person the brilliant Faina Ranevskaya. And playwright Mikhail Roshchin even said: "When I see Neelova on stage, it seems to me that she always plays as if it were the last time."

Having received a diploma from LGITMiK, she really wanted to get a job at the Bolshoi Drama Theater for Georgy Tovstonogov, but she did not dare to contact him. The master noticed her only after Neelova's work in the film "The Old, Old Tale", where she played three roles at once. Biographers say that he expressed a desire to work with her, but she has already linked her fate with the metropolitan scene.

The theatrical debut of the hero of the day is usually associated with the Mossovet Theater, where she played in the play "Luigi's Heart, or Execution with a Blunt Sword". A little later she rehearsed with Anatoly Efros, who then staged Edvard Radzinsky's "Turbaza", but the performance never saw its audience.

But the director of "Sovremennik" Valery Fokin drew attention to the young actress. Together with Konstantin Raikin in 1974 they invited her to the play "Valentine and Valentine". Since then, her professional life has been associated with this particular group, where she has already served for almost half a century, having managed to play in "The Cherry Orchard" and "Three Sisters", "The Inspector General", "Steep Route", "Overcoat". And for the role of Elizabeth in the play "Playing ... Schiller!" Marina Neyelova was awarded the State Prize of the Russian Federation.

Thanks to her bright dramatic talent, critics unanimously state, Marina Neyelova brilliantly manages to embody the images of vulnerable, fragile, unprotected heroines in the cinema, who, nevertheless, stubbornly defend their independence: Stepanids Bazyrina in the film "With You and Without You", Sasha Nerodova in the film "Just Sasha", Valentina Kostina in the film "A Word for Protection" and Alla in the "Autumn Marathon".

True, then there was a pause, which in the middle of 2017 ended a long break in the cinematic biography of Marina Mstislavovna. The actress starred in the comedy "Frostbite Carp", playing a pensioner from a provincial town. The film crew recalls that while working on the film, a live carp appeared in the frame, which was so used to the actress that it always swam to the edge of the trough when Neelova approached him. And on the last day of shooting, when the artist was sitting waiting for the rehearsal, the carp, as if not wanting to part with a partner, jumped out of the water onto her lap.

It should be added that in November of the past year Marina Neyelova became one of the jury members in the eighth season of the All-Russian open television competition for young talents "Blue Bird".

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